A cornucopia of views on early Dylan

Revisiting an early attempt to critique Dylan as a poet and to respond to the songs through photography, which led to an off-putting modern classical reinterpretation of his work

Slivers of the full photos taken by Art Kane that are a part of “Bob Dylan: The Metaphor at the End of the Funnel” from the May 1972 issue of Esquire magazine

I bought a year's subscription to the Esquire magazine archives so I could access the screenplay for "Two-Lane Blacktop," (I wrote about it in the post linked below) and have spent the time since e…